Friday, October 17, 2014

Friday, October 17, 2014

Catch-up & conferences/Bonus day!

Vocab quiz (10 min)

Individual conferences: (all throughout class)
I will meet with everyone to go over what you are missing and give some feedback on your class performance so far. This is informal and meant to get you caught up as we approach the end of the first marking period.

Catch-up work:
If you are missing work, you may use this class period to catch up. Anything turned in after class on Monday will be accepted for a maximum of 50 points.




Bonus work:
For everyone who is already caught up, I will hand out a bonus activity, due Monday for 5 extra points on your essay. This activity focuses on Ophelia and how she relates to modern girls and women, examined from the Feminist perspective.

Handout in class:

Part I: Creative activity:
Choose 1 option:

1.     Draw Ophelia: What do you think she looks like? Why?
2.     Describe Ophelia: What do you think she looks like? Why?

*Hint: If you’re having trouble, imagine someone you know who is similar to Ophelia. What is that person like?

·      Make sure to include: clothing, facial expression, setting, and any other descriptive characteristics that are specific to Ophelia.
·      There is no right or wrong answer – this is your interpretation based on your life experiences!



Part II: The Feminist perspective and critical reading skills:
The Feminist perspective is not just about “girl power,” and feminism does not equate to “man-hating.” The Feminist perspective “analyzes the status of women and men in society with the purpose of using that knowledge to better women's lives. Feminist theorists also question the differences between women, including how race, class, ethnicity, sexuality, nationality, and age intersect with gender.” – Ashley Crossman (website below)
When you analyze something critically, important questions to ask are:
·      Who is this text written by? (Author’s race, gender, class, background)
·      Who is this text written for? (Who does it benefit, and who is left out? See categories above)
·      What does this text tell us about the world around us? (Social and political forces in our society, norms, “ways of being” in the world)

Part III: Read an excerpt from Reviving Ophelia:
Background info: Published in 1994. Written by Mary Pipher, an American clinical psychologist born in 1947.
Mary Pipher's best-selling book, Reviving Ophelia, provides an in-depth look at the complex nature of adolescent girls. Her work as a therapist with teenagers is regarded as a revolutionary contribution to modern psychology.
Chapter 1 

SAPLINGS IN THE STORM

When my cousin Polly was a girl, she was energy in motion. She danced, did cartwheels and splits, played football, basketball and baseball with the neighborhood boys, wrestled with my brothers, biked, climbed trees and rode horses. She was as lithe and as resilient as a willow branch and as unrestrained as a lion cub. Polly talked as much as she moved. She yelled out orders and advice, shrieked for joy when she won a bet or heard a good joke, laughed with her mouth wide open, argued with kids and grown-ups and insulted her foes in the language of a construction worker.

We formed the Marauders, a secret club that met over her garage. Polly was the Tom Sawyer of the club. She planned the initiations, led the spying expeditions and hikes to haunted houses. She showed us the rituals to become blood "brothers" and taught us card tricks and how to smoke.

Then Polly had her first period and started junior high. She tried to keep up her old ways, but she was called a tomboy and chided for not acting more ladylike. She was excluded by her boy pals and by the girls, who were moving into makeup and romances.

This left Polly confused and shaky. She had temper tantrums and withdrew from both the boys' and girls' groups. Later she quieted down and reentered as Becky Thatcher. She wore stylish clothes and watched from the sidelines as the boys acted and spoke. Once again she was accepted and popular. She glided smoothly through our small society. No one spoke of the changes or mourned the loss of our town's most dynamic citizen. I was the only one who felt that a tragedy had transpired.

Girls in what Freud called the latency period, roughly age six or seven through puberty, are anything but latent. I think of my daughter Sara during those years-performing chemistry experiments and magic tricks, playing her violin, starring in her own plays, rescuing wild animals and biking all over town. I think of her friend Tamara, who wrote a 300-page novel the summer of her sixth-grade year. I remember myself, reading every children's book in the library of my town. One week I planned to be a great doctor like Albert Schweitzer. The next week I wanted to write like Louisa May Alcott or dance in Paris like Isadora Duncan. I have never since had as much confidence or ambition.

Most preadolescent girls are marvelous company because they are interested in everything-sports, nature, people, music and books. Almost all the heroines of girls' literature come from this age group--Anne of Green Gables, Heidi, Pippi Longstocking and Caddie Woodlawn. Girls this age bake pies, solve mysteries and go on quests. They can take care of themselves and are not yet burdened with caring for others. They have a brief respite from the female role and can be tomboys, a word that conveys courage, competency and irreverence.

They can be androgynous, having the ability to act adaptively in any situation regardless of gender role constraints. An androgynous person can comfort a baby or change a tire, cook a meal or chair a meeting. Research has shown that, since they are free to act without worrying if their behavior is feminine or masculine, androgynous adults are the most well adjusted.

Girls between seven and eleven rarely come to therapy. They don't need it. I can count on my fingers the girls this age whom I have seen: Coreen, who was physically abused; Anna, whose parents were divorcing; and Brenda, whose father killed himself. These girls were courageous and resilient. Brenda said, "If my father didn't want to stick around, that's his loss." Coreen and Anna were angry, not at themselves, but rather at the grown-ups, who they felt were making mistakes. It's amazing how little help these girls needed from me to heal and move on.

A horticulturist told me a revealing story. She led a tour of juniorhigh girls who were attending a math and science fair on her campus. She showed them side oats grama, bluestem, Indian grass and trees redbud, maple, walnut and willow. The younger girls interrupted each other with their questions and tumbled forward to see, touch and smell everything. The older girls, the ninth-graders, were different. They hung back. They didn't touch plants or shout out questions. They stood primly to the side, looking bored and even a little disgusted by the enthusiasm of their younger classmates. My friend asked herself, What's happened to these girls? What's gone wrong? She told me, "I wanted to shake them, to say, 'Wake up, come back. Is anybody home at your house?' "

Recently I sat sunning on a bench outside my favorite ice-cream store. A mother and her teenage daughter stopped in front of me and waited for the light to change. I heard the mother say, "You have got to stop blackmailing your father and me. Every time you don't get what you want, you tell us that you want to run away from home or kill yourself. What's happened to you? You used to be able to handle not getting your way."

The daughter stared straight ahead, barely acknowledging her mother's words. The light changed. I licked my ice-cream cone. Another mother approached the same light with her preadolescent daughter in tow. They were holding hands. The daughter said to her mother, "This is fun. Let's do this all afternoon."

Something dramatic happens to girls in early adolescence. Just as planes and ships disappear mysteriously into the Bermuda Triangle, so do the selves of girls go down in droves. They crash and burn in a social and developmental Bermuda Triangle. In early adolescence, studies show that girls' IQ scores drop and their math and science scores plummet. They lose their resiliency and optimism and become less curious and inclined to take risks. They lose their assertive, energetic and "tomboyish" personalities and become more deferential, self-critical and depressed. They report great unhappiness with their own bodies.

Psychology documents but does not explain the crashes. Girls who rushed to drink in experiences in enormous gulps sit quietly in the corner. Writers such as Sylvia Plath, Margaret Atwood and Olive Schreiner have described the wreckage. Diderot, in writing to his young friend Sophie Volland, described his observations harshly: "You all die at 15."

Fairy tales capture the essence of this phenomenon. Young women eat poisoned apples or prick their fingers with poisoned needles and fall asleep for a hundred years. They wander away from home, encounter great dangers, are rescued by princes and are transformed into passive and docile creatures.

The story of Ophelia, from Shakespeare's Hamlet, shows the destructive forces that affect young women. As a girl, Ophelia is happy and free, but with adolescence she loses herself. When she falls in love with Hamlet, she lives only for his approval. She has no inner direction; rather she struggles to meet the demands of Hamlet and her father. Her value is determined utterly by their approval. Ophelia is torn apart by her efforts to please. When Hamlet spurns her because she is an obedient daughter, she goes mad with grief. Dressed in elegant clothes that weigh her down, she drowns in a stream filled with flowers.  

Girls know they are losing themselves. One girl said, "Everything good in me died in junior high." Wholeness is shattered by the chaos of adolescence. Girls become fragmented, their selves split into mysterious contradictions. They are sensitive and tenderhearted, mean and competitive, superficial and idealistic. They are confident in the morning and overwhelmed with anxiety by nightfall. They rush through their days with wild energy and then collapse into lethargy. They try on new roles every week-this week the good student, next week the delinquent and the next, the artist. And they expect their families to keep up with these changes.

My clients in early adolescence are elusive and slow to trust adults. They are easily offended by a glance, a clearing of the throat, a silence, a lack of sufficient enthusiasm or a sentence that doesn't meet their immediate needs. Their voices have gone underground-their speech is more tentative and less articulate. Their moods swing widely. One week they love their world and their families, the next they are critical of everyone. Much of their behavior is unreadable. Their problems are complicated and metaphorical-eating disorders, school phobias and self-inflicted injuries. I need to ask again and again in a dozen different ways, "What are you trying to tell me?"

Michelle, for example, was a beautiful, intelligent seventeen-year-old. Her mother brought her in after she became pregnant for the third time in three years. I tried to talk about why this was happening. She smiled a Mona Lisa smile to all my questions. "No, I don't care all that much for sex." "No, I didn't plan this. It just happened." When Michelle left a session, I felt like I'd been talking in the wrong language to someone far away.

Holly was another mystery. She was shy, soft-spoken and slow moving, pretty under all her makeup and teased red hair. She was a Prince fan and wore only purple. Her father brought her in after a suicide attempt. She wouldn't study, do chores, join any school activities or find a job. Holly answered questions in patient, polite monosyllables. She really talked only when the topic was Prince. For several weeks we talked about him. She played me his tapes. Prince somehow spoke for her and to her.

Gail burned and cut herself when she was unhappy. Dressed in black, thin as a straw, she sat silently before me, her hair a mess, her ears, lips and nose all pierced with rings. She spoke about Bosnia and the hole in the ozone layer and asked me if I liked rave music. When I asked about her life, she fingered her earrings and sat silently.

My clients are not different from girls who are not seen in therapy. I teach at a small liberal arts college and the young women in my classes have essentially the same experiences as my therapy clients. One student worried about her best friend who'd been sexually assaulted. Another student missed class after being beaten by her boyfriend. Another asked what she should do about crank calls from a man threatening to rape her. When stressed, another student stabbed her hand with paper clips until she drew blood. Many students have wanted advice on eating disorders.

After I speak at high schools, girls approach me to say that they have been raped, or they want to run away from home, or that they have a friend who is anorexic or alcoholic. At first all this trauma surprised me. Now I expect it.

Psychology has a long history of ignoring girls this age. Until recently adolescent girls haven't been studied by academics, and they have long baffled therapists. Because they are secretive with adults and full of contradictions, they are difficult to study. So much is happening internally that's not communicated on the surface.

Simone de Beauvoir believed adolescence is when girls realize that men have the power and that their only power comes from consenting to become submissive adored objects. They do not suffer from the penis envy Freud postulated, but from power envy.

She described the Bermuda Triangle this way: Girls who were the subjects of their own lives become the objects of others' lives. "Young girls slowly bury their childhood, put away their independent and imperious selves and submissively enter adult existence." Adolescent girls experience a conflict between their autonomous selves and their need to be feminine, between their status as human beings and their vocation as females. De Beauvoir says, "Girls stop being and start seeming."

Girls become "female impersonators" who fit their whole selves into small, crowded spaces. Vibrant, confident girls become shy, doubting young women. Girls stop thinking, "Who am I? What do I want?" and start thinking, "What must I do to please others?"

This gap between girls' true selves and cultural prescriptions for what is properly female creates enormous problems. To paraphrase a Stevie Smith poem about swimming in the sea, "they are not waving, they are drowning." And just when they most need help, they are unable to take their parents' hands.

Olive Schreiner wrote of her experiences as a young girl in The Story of an African Farm. "The world tells us what we are to be and shapes us by the ends it sets before us. To men it says, work. To us, it says, seem. The less a woman has in her head the lighter she is for carrying." She described the finishing school that she attended in this way: "It was a machine for condensing the soul into the smallest possible area. I have seen some souls so compressed that they would have filled a small thimble."

Margaret Mead believed that the ideal culture is one in which there is a place for every human gift. By her standards, our Western culture is far from ideal for women. So many gifts are unused and unappreciated. So many voices are stilled. Stendhal wrote: "All geniuses born women are lost to the public good."

Alice Miller wrote of the pressures on some young children to deny their true selves and assume false selves to please their parents. Reviving Ophelia suggests that adolescent girls experience a similar pressure to split into true and false selves, but this time the pressure comes not from parents but from the culture. Adolescence is when girls experience social pressure to put aside their authentic selves and to display only a small portion of their gifts.

Second, American culture has always smacked girls on the head in early adolescence. This is when they move into a broader culture that is rife with girl-hurting "isms," such as sexism, capitalism and lookism, which is the evaluation of a person solely on the basis of appearance.

Third, American girls are expected to distance from parents just at the time when they most need their support. As they struggle with countless new pressures, they must relinquish the protection and closeness they've felt with their families in childhood. They turn to their none-too-constant peers for support.

Parents know only too well that something is happening to their daughters. Calm, considerate daughters grow moody, demanding and distant. Girls who loved to talk are sullen and secretive. Girls who liked to hug now bristle when touched. Mothers complain that they can do nothing right in the eyes of their daughters. Involved fathers bemoan their sudden banishment from their daughters' lives. But few parents realize how universal their experiences are. Their daughters are entering a new land, a dangerous place that parents can scarcely comprehend. Just when they most need a home base, they cut themselves loose without radio communications.

Most parents of adolescent girls have the goal of keeping their daughters safe while they grow up and explore the world. The parents' job is to protect. The daughters' job is to explore. Always these different tasks have created tension in parent-daughter relationships, but now it's even harder. Generally parents are more protective of their daughters than is corporate America. Parents aren't trying to make money off their daughters by selling them designer jeans or cigarettes, they just want them to be well adjusted. They don't see their daughters as sex objects or consumers but as real people with talents and interests. But daughters turn away from their parents as they enter the new land. They befriend their peers, who are their fellow inhabitants of the strange country and who share a common language and set of customs. They often embrace the junk values of mass culture.

This turning away from parents is partly for developmental reasons. Early adolescence is a time of physical and psychological change, self-absorption, preoccupation with peer approval and identity formation. It's a time when girls focus inward on their own fascinating changes.

It's partly for cultural reasons. In America we define adulthood as a moving away from families into broader culture. Adolescence is the time for cutting bonds and breaking free. Adolescents may claim great independence from parents, but they are aware and ashamed of their parents' smallest deviation from the norm. They don't like to be seen with them and find their imperfections upsetting. A mother's haircut or a father's joke can ruin their day. Teenagers are furious at parents who say the wrong things or do not respond with perfect answers. Adolescents claim not to hear their parents, but with their friends they discuss endlessly all parental attitudes. With amazing acuity, they sense nuances, doubt, shades of ambiguity, discrepancy and hypocrisy.

Adolescents still have some of the magical thinking of childhood and believe that parents have the power to keep them safe and happy. They blame their parents for their misery, yet they make a point of not telling their parents how they think and feel; they have secrets, so things can get crazy. For example, girls who are raped may not tell their parents. Instead, they become hostile and rebellious. Parents bring girls in because of their anger and out-of-control behavior. When I hear about this unexplainable anger, I ask about rape. Ironically, girls are often angrier at their parents than at the rapists. They feel their parents should have known about the danger and been more protective; afterward, they should have sensed the pain and helped.

Most parents feel like failures during this time. They feel shut out, impotent and misunderstood. They often attribute the difficulties of this time to their daughters and their own failings. They don't understand that these problems go with the developmental stage, the culture and the times.

Parents experience an enormous sense of loss when their girls enter this new land. They miss the daughters who sang in the kitchen, who read them school papers, who accompanied them on fishing trips and to ball games. They miss the daughters who liked to bake cookies, play Pictionary and be kissed goodnight. In place of their lively, affectionate daughters they have changelings-new girls who are sadder, angrier and more complicated. Everyone is grieving.

Fortunately adolescence is time-limited. By late high school most girls are stronger and the winds are dying down. Some of the worst problems-cliques, a total focus on looks and struggles with parents are on the wane. But the way girls handle the problems of adolescence can have implications for their adult lives. Without some help, the loss of wholeness, self-confidence and self-direction can last well into adulthood. Many adult clients struggle with the same issues that overwhelmed them as adolescent girls. Thirty-year-old accountants and realtors, forty-year-old homemakers and doctors, and thirty-five-year-old nurses and schoolteachers ask the same questions and struggle with the same problems as their teenage daughters.

Even sadder are the women who are not struggling, who have forgotten that they have selves worth defending. They have repressed the pain of their adolescence, the betrayals of self in order to be pleasing. These women come to therapy with the goal of becoming even more pleasing to others. They come to lose weight, to save their marriages or to rescue their children. When I ask them about their own needs, they are confused by the question.

Most women struggled alone with the trauma of adolescence and have led decades of adult life with their adolescent experiences unexamined. The lessons learned in adolescence are forgotten and their memories of pain are minimized. They come into therapy because their marriage is in trouble, or they hate their job, or their own daughter is giving them fits. Maybe their daughter's pain awakens their own pain. Some are depressed or chemically addicted or have stress-related illnesses- ulcers, colitis, migraines or psoriasis. Many have tried to be perfect women and failed. Even though they followed the rules and did as they were told, the world has not rewarded them. They feel angry and betrayed. They feel miserable and taken for granted, used rather than loved.

Women often know how everyone in their family thinks and feels except themselves. They are great at balancing the needs of their coworkers, husbands, children and friends, but they forget to put themselves into the equation. They struggle with adolescent questions still unresolved: How important are looks and popularity? How do I care for myself and not be selfish? How can I be honest and still be loved? How can I achieve and not threaten others? How can I be sexual and not a sex object? How can I be responsive but not responsible for everyone? 

As we talk, the years fall away. We are back in junior high with the cliques, the shame, the embarrassment about bodies, the desire to be accepted and the doubts about ability. So many adult women think they are stupid and ugly. Many feel guilty if they take time for themselves. They do not express anger or ask for help.

We talk about childhood-what the woman was like at ten and at fifteen. We piece together a picture of childhood lost. We review her own particular story, her own time in the hurricane. Memories flood in. Often there are tears, angry outbursts, sadness for what has been lost. So much time has been wasted pretending to be who others wanted. But also, there's a new energy that comes from making connections, from choosing awareness over denial and from the telling of secrets.

We work now, twenty years behind schedule. We reestablish each woman as the subject of her life, not as the object of others' lives. We answer Freud's patronizing question "What do women want?" Each woman wants something different and particular and yet each woman wants the same thing-to be who she truly is, to become who she can become.

Many women regain their preadolescent authenticity with menopause. Because they are no longer beautiful objects occupied primarily with caring for others, they are free once again to become the subjects of their own lives. They become more confident, self-directed and energetic. Margaret Mead noticed this phenomenon in cultures all over the world and called it "pmz," postmenopausal zest. She noted that some cultures revere these older women. Others burn them at the stake.

Before I studied psychology, I studied cultural anthropology. I have always been interested in that place where culture and individual psychology intersect, in why cultures create certain personalities and not others, in how they pull for certain strengths in their members, in how certain talents are utilized while others atrophy from lack of attention. I'm interested in the role cultures play in the development of individual pathology.

For a student of culture and personality, adolescence is fascinating. It's an extraordinary time when individual, developmental and cultural factors combine in ways that shape adulthood. It's a time of marked internal development and massive cultural indoctrination.

I want to try in this book to connect each girl's story with larger cultural issues-to examine the intersection of the personal and the political. It's a murky place; the personal and political are intertwined in all of our lives. Our minds, which are shaped by the society in which we live, can oppress us. And yet our minds can also analyze and work to change the culture.

An analysis of the culture cannot ignore individual differences in women. Some women blossom and grow under the most hostile conditions while others wither after the smallest storms. And yet we are more alike than different in the issues that face us. The important question is, Under what conditions do most young women flower and grow?

Adolescent clients intrigue me as they struggle to sort themselves out. But I wouldn't have written this book had it not been for these last few years when my office has been filled with girls-girls with eating disorders, alcohol problems, posttraumatic stress reactions to sexual or physical assaults, sexually transmitted diseases (STDs), self-inflicted injuries and strange phobias, and girls who have tried to kill themselves or run away. A health department survey showed that 40 percent of all girls in my midwestern city considered suicide last year. The Centers for Disease Control in Atlanta reports that the suicide rate among children age ten to fourteen rose 75 percent between 1979 and 1988. Something dramatic is happening to adolescent girls in America, something unnoticed by those not on the front lines.

At first I was surprised that girls were having more trouble now. After all, we have had a consciousness-raising women's movement since the sixties. Women are working in traditionally male professions and going out for sports. Some fathers help with the housework and child care. It seems that these changes would count for something. And of course they do, but in some ways the progress is confusing. The Equal Rights Amendment was not ratified, feminism is a pejorative term to many people and, while some women have high-powered jobs, most women work hard for low wages and do most of the "second shift" work. The lip service paid to equality makes the reality of discrimination even more confusing.

Many of the pressures girls have always faced are intensified in the 1990s. Many things contribute to this intensification: more divorced families, chemical addictions, casual sex and violence against women. Because of the media, which Clarence Page calls "electronic wallpaper," girls all live in one big town-a sleazy, dangerous tinsel town with lots of liquor stores and few protected spaces. Increasingly women have been sexualized and objectified, their bodies marketed to sell tractors and toothpaste. Soft- and hard-core pornography are everywhere. Sexual and physical assaults on girls are at an all-time high. Now girls are more vulnerable and fearful, more likely to have been traumatized and less free to roam about alone. This combination of old stresses and new is poison for our young women.

Parents have unprecedented stress as well. For the last half-century, parents worried about their sixteen-year-old daughters driving, but now, in a time of drive-by shootings and car-jackings, parents can be panicked. Parents have always worried about their daughters' sexual behavior, but now, in a time of date rapes, herpes and AIDS, they can be sex-phobic. Traditionally parents have wondered what their teens were doing, but now teens are much more likely to be doing things that can get them killed.

This book will tell stories from the front lines. It's about girls because I know about girls. I was one, I see them in therapy, I have a teenage daughter and I teach primarily young women. I am not writing about boys because I have had limited experience with them. I'm not saying that girls and boys are radically different, only that they have different experiences.

I am saying that girls are having more trouble now than they had thirty years ago, when I was a girl, and more trouble than even ten years ago. Something new is happening. Adolescence has always been hard, but it's harder now because of cultural changes in the last decade. The protected place in space and time that we once called childhood has grown shorter. There is an African saying, "It takes a village to raise a child." Most girls no longer have a village.

Parents, teachers, counselors and nurses see that girls are in trouble, but they do not realize how universal and extreme the suffering is. This book is an attempt to share what I have seen and heard. It's a hurricane warning, a message to the culture that something important is happening. This is a National Weather Service bulletin from the storm center.

Part IV: Reader-response questions:

·      First and foremost, what are your reactions to this article?








·      How can you relate the concepts mentioned in your article to your own life? (Do you experience it personally, do you see it around you, or do you feel the opposite?)









·      Discuss Ophelia as portrayed in Hamlet compared to modern, 21st century girls/women. How are they alike and different? Use textual evidence.




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